Color Images from Material Culture

Starting with the Spring 2015 issue of Material Culture, The Society is now displaying here on the website color versions of photos appearing in the journal when those images are particularly compelling. The most recent issue appears first. Enjoy.


Painting Emotions: The West Bank Separation Wall as an Evocative Object and Graffiti as a Meaning-Making Process (Fall 2017)

Rasha Sansur, Independent Scholar


The West Bank Separation Wall and its graffiti surrounding Bethlehem. Photo by author.
The West Bank Separation Wall and its graffiti surrounding Bethlehem. Photo by author.

Graffiti on the Bethlehem Wall. Photo by author.Graffiti on the Bethlehem Wall. Photo by author.

Graffiti on the Bethlehem Wall. Photo by author.Graffiti on the Bethlehem Wall. Photo by author.

Graffiti on the Qalandia Wall. Used with permission of Photographer Philipo Minellie.Graffiti on the Qalandia Wall. Used with permission of Photographer Philipo Minellie.

Graffiti on the Bethlehem Wall. Photo by author.Graffiti on the Bethlehem Wall. Photo by author.

 

Creating Digital Materiality: Third-Wave Feminism, Public Art, and Yarn Bombing (Spring 2015)

Alla Myzelev, Ph.D., State University of New York at Geneseo


Jafagirls’ yarn bombing projects as featured in Knitting Graffiti book. Photograph by author.
Jafagirls’ yarn bombing projects as featured in Knitting Graffiti book. Photograph by author.

Yarn bombing as part of the Spring Festival, Kamloops, British Columbia. Photograph by author.Yarn bombing as part of the Spring Festival, Kamloops, British Columbia. Photograph by author.

Masquerade yarn bombing 2006. Used with permission.Masquerade yarn bombing 2006. Used with permission.

Marianne Jorgensen, Tank Cozy, 2006. Used with permission.Marianne Jorgensen, Tank Cozy, 2006. Used with permission.

Bissell Bombers, Art Gallery of Ontario yarn bombing action, 2013. Photograph by author.Bissell Bombers, Art Gallery of Ontario yarn bombing action, 2013. Photograph by author.

Return to top